Recent projects:


Since 2014, PPP has worked with filmmaker Takumã Kuikuro and the Kuikuro community to develop a cultural exchange programme to support equitable social development for indigenous communities and reciprocal development between indigenous and non-indigenous artists. This ongoing collaboration has produced a series of artworks and initiatives documenting, celebrating and advocating for the culture and communities of the Xingu Indigenous Territory.

In response to the COVID-19 pandemic, over the last 12 months, PPP’s partnership with the Kuikuro has become about preserving life. By helping to provide infrastructure, food and vital medical support, PPP has supported the community’s lockdown, enabling six villages to treat confirmed cases and stop the spread of the virus. So far, no Kuikuro have died because of COVID.

Museums and galleries have historically been heavily implicated in colonising Indigenous cultures and destroying the vital links between people, cultures and land. PPP believes these same institutions have a crucial role to play in raising international awareness about Indigenous peoples as essential protagonists in the fight against climate change and in resisting the destruction of their traditional ways of living.

Global recognition and support for indigenous communities are urgently needed. The current Brazilian government has not only failed to protect these communities and landscapes, but has actively introduced legislation that has accelerated unprecedented environmental damage, killings and persecution of Indigenous peoples since the election of President Bolsonaro in 2019.

About the Kuikuro and the Xingu

Artists can help us tell the world who the Kuikuro people are and what is happening here. – Takumã Kuikuro

The Kuikuro are a community of around 650 people who live in the upper reaches of the Xingu River in the Amazon basin. The Xingu is a protected Indigenous territory of more than 2.6 million hectares and home to 16 Indigenous peoples, including the Kuikuro. In 1961, the Brazilian government designated this region as a national park in order to protect the lives and culture of its Indigenous villages and to preserve the surrounding environment.

As the largest area of tropical forest in the “arc of deforestation” of the southern Brazilian Amazon, the Xingu is on the frontline of the climate crisis. Over the past decade, droughts, fires and intense farming on the territory’s borders have led to the destruction of rivers and forests. Today, the total collapse of these ecosystems is no longer a projection but a reality.

For the Kuikuro people who have inhabited these lands for centuries, artists are itseke, powerful spirits of invisible knowledge. Filmmaker Takumã Kuikuro is a member of the Kuikuro people living in the Ipatse village. Since his first experiences with filmmaking in 2002, Takumã has gone on to direct prize-winning films with widespread international recognition. These works document and preserve the stories, songs, dances and rituals that characterise Kuikuro culture, guarding against the possible erasure of his people’s history and knowledge of living in harmony with nature.

History of the partnership PPP and AIKAX (2015-2019)

  • London as a Village (2016)

In April 2015, Takumã travelled all the way from the Ipatse village in the Xingu Indigenous Territory to London to take up a challenge from People’s Palace Projects, as part of the project The Art of Cultural Exchange: to spend 6 weeks in London directing a film that would capture his vision of the city as a “village”. Takumã was selected from dozens of applicants through a grant scheme called Culture Connection Brazil, promoted by Brazil’s Ministry of Culture with the support of the British Council and the Transform Programme. He was commissioned to record London from an indigenous perspective, exploring similarities and differences between his Kuikuro culture and the Londoners he christened “the Hyper-Whites”. The result is the film London as a Village, a captivating and humorous anthropological documentary about western society and the many villages hidden under the skyscrapers of London.

During his residency in London, Takumã Kuikuro proposed to PPP the idea of developing an artistic residency in the Kuikuro indigenous village, aiming to forge new connections between the Kuikuro and the cultural industries, both in Brazil and abroad. Professor Paul Heritage and Takumã decided to facilitate a pilot collaborative research project that foregrounds Kuikuro cultural practices, and the villages in which they are situated, as a site for training and exchange with non-indigenous artists in order to extend understanding of how cultural interaction, creative innovation and collaborative cultural production can be conceived and measured as essential to the wellbeing of the indigenous communities and individuals.

  • Artistic Residencies in an Indigenous Village (2017-2018)

In OLOGIKO (Karib word for exchange), Takumã Kuikuro documents the exchanges between indigenous and non-indigenous artists and researchers that took place at the Ipatse village in the Upper Xingu between 2017 and 2018. The film also showcases the Kuikuro residence in Rio de Janeiro in 2017, as part of Multiplicidade Festival, and the immersive installations at Tate Modern and the Horniman Museum in London in 2018. The residency programme facilitated by People’s Palace Projects aimed to uncover the potential for non-contact technologies to increase public understanding of the Xinguan culture, which we hope will act as an advocacy tool for the articulation of their heritage, culture and rights.

As artists of the Kuikuro we document our material and immaterial culture to keep our traditions alive for future generations. It is our artists who share this knowledge with society. We welcome non-indigenous artists who are interested in learning about our history and who will bring their own ways of making art to collaborate with us. – Takumã Kuikuro

PPP and AIKAX (Indigenous Association of the Kuikuro People in Xingu) hosted the 1st artistic residency in the Xingu in May 2017. The two-week artistic residency saw Takumã collaborating with British digital technology artist Adam Lowe (director of Factum Foundation) and Jerry Brotton (scholar in cartographic history at Queen Mary, University of London). The aim of the programme was to build transformative dialogues through digital technologies that enable the Kuikuro people to create 3D maps of their territories and to explore new ways in which the indigenous peoples can bring the evolving experiences of first millennial life to contemporary debates about Brazilian economic and social development in the third millennium. Adam Lowe and a group of four artists and technology experts brought to the Kuikuro village cutting-edge technologies (including a 3D Faro laser scanner) to allow Takumã to digitally record some aspects of Kuikuro’s at-risk cultural heritage such as images, sounds, graphics, artefacts and architecture. The outcomes of the artistic exchange in May were presented to the public during the seminar Creative Lab in Xingu: Art, Technology and Cultural Preservation hosted by Museu do Amanhã.

Bringing a team of artists as important as Factum’s to collaborate with the indigenous Kuikuro people is a statement of the importance of indigenous artistic production in contemporary culture. This is happening in a crucial moment, where society is questioning the role of this production in social and economic development. Art is a tool for resistance and sustainability for the years to come and a challenge as we enter the third millennium. – Professor Paul Heritage

A 2nd artistic residency took place in the Xingu in September 2017. The Kuikuro have constructed a traditional oca (indigenous house) as a residency centre for artists in the Ipatse village. Built with the same techniques that they have used for over 1000 years, the oca is a place for visiting artists to learn about their cultural practices and to forge new artistic collaborations. Nine artists from four cultural organisation across Rio de Janeiro (Festival Multiplicidade, Observatório de Favelas, Spectaculu and Agência de Redes para Juventude) spent 15 days with the Kuikuro indigenous people as part of the research investigating how we can measure the value of cultural exchange with Brazil’s indigenous cultures today. The residency also launched AirB2B, a new artistic exchange programme funded by the British Council. Conrad Murray, rapper and founding member of the BAC Beatbox Academy, was selected among 113 applications to join the residency in Xingu.

Cultural exchange is about people from different communities working together to learn from each other and build mutual understanding. In a project like this, there is an extra layer of responsibility. We know that this sort of work is really effective for stimulating economic development, but we have to do that in a way that protects the culture, the land, and way-of-life that sustains the Xingu people. – Professor Paul Heritage

The collaborative artistic outcomes were displayed at Festival MultiplicidadeBrazil’s leading art and technology festival, in October 2017. Multiplicidade had an entire week dedicated to the cultural exchange with nine Kuikuro artists that travelled to Rio de Janeiro. The public had the opportunity to engage with various AV installations; Karib language lessons, traditional body painting, singing and dance workshops; screening of films by Takumã Kuikuro, talks with indigenous artists, activists and anthropologists, a workshop on digitisation of cultural heritage at risk; and a virtual reality experience developed during the residency in the Xingu.

The artworks of the residencies in the Xingu were presented in London for the first time in May 2018 during the event Mapping the Kuikuro Community, part of Tate Exchange week ‘Producing Memory: maps, materials, belongings. Around 2,000 people had the opportunity to enter an inflatable oca and see photographs and listen to ambisonic sound recordings of the community’s daily life and traditions, watch a video fly-through of scan data from around the Ipatse village, and take part in the Xingu Ensemble VR experience. The programme also included an interactive photogrammetry workshop with Factum Foundation and a special screening of London as a Village, followed by a discussion on indigenous experiments in cultural exchange.

During the same month, BBC World Service made available the radio programme The Voices of the Amazon tracing a day in Takumã Kuikuro’s life in the Ipatse Village, home of the Kuikuro people in the Xingu region, as well as the clip The Jungle Village Hooked on Their Phones. The recordings were facilitated by PPP during the first residency in the Xingu in May 2017.

In 2018 PPP extended its relationship with AIKAX  and associate artist Takumã Kuikuro in an exciting new digital project in partnership with Factum Foundation, The Horniman Museum and Gardens, A Casa Gringo Cardia, Playground Entertainment and WeSense. A 3rd residency took place in Xingu in September 2018, aimed to combine the digital data capture associated with world-leading cultural conservation practice (such as photogrammetry and 3D scanning/printing) with motion-capture, VR/AR tools such as Oculus Rift headsets, and traditional Kuikuro objects and artefacts to prototype an immersive experience for UK museum audiences of the day to day life, environment, myths and storytelling, dance, graphism, decorative painting, crafts and other cultural practices of the Kuikuro village.

The immersive installation Xingu Village was piloted for two days at the Horniman Museum in December 2018. By combining digital content, augmented reality tools, ambisonic recordings and never-seen archive footage by Takumã Kuikuro, over 200 people had the opportunity to embark on a museum journey to the Ipatse village. The installation, the first of its kind, involved indigenous people directly in a process that both preserved and disseminated their social and cultural histories. Through the use of non-contact technologies, the project has raised awareness of remote and fragile indigenous communities, whose way of life is beyond the reach of the general public, without putting them at risk. Click here to read the evaluation written by Chrissie Tiller.

“From the Xingu we learn how arts and cultural practices are essential to the preservation of life and the protection of the global environment. This unique international partnership shows how immersive technologies create new connections between objects and people, revealing the stories we need to tell and to hear about the world around us.” – Paul Heritage.

  • Indigenous Research Methods (20192021)

On behalf of the Arts and Humanities Research Council (AHRC) and the Economic and Social Research Council (ESRC), since 2019 PPP hosts a programme of events on indigenous engagement in research partnerships and knowledge mobilisation. You can access full information and resources here.

  • The Sacred Cave of Kamukuwaká (2018-2022)

In September 2018, an expedition to the sacred cave of Kamukuwaká organised with members of the Wauja community, specialists from Factum Foundation and an independent team of Brazilian anthropologists, found its ancient petroglyphs had been systematically destroyed. Chisel marks, a chipped surface and scattered fragments on the ground were all that was left. The Kamukuwaká, an archaeological site sacred to the communities living in the Xingu, was listed as a heritage site in 2010 by IPHAN (Brazil’s National Institute of Historic and Artistic Heritage). The destruction is likely to be a result of the ongoing tensions between indigenous and farming communities in the state of Mato Grosso.

In defiance of this tragedy, Factum Foundation’s team employed high-resolution photogrammetry and LiDAR scanning to record the cave. Then, using cutting-edge 3D printing technologies and with reference to previous photographic documentation as well as the collective memory of the Wauja, a forensically accurate digital restoration of the rock carvings was carried out, resulting in a 1:1 facsimile of the entrance to the cave with all the petroglyphs, measuring 8x4x4m (Factum’s Kamukuwaká page). One year after the vandalism was discovered, Factum and PPP inaugurated the facsimile of the restored cave in Madrid, and launched the publication The Sacred Cave of Kamukuwaká: the preservation of indigenous cultures in Brazil

PPP and Tulukai Indigenous Association are currently working on the development of a VR experience to enable children from the Xingu to access again the stories of the sacred engravings. The latest phase of the project, Kamukuwaká VR,  is funded by the British Council Digital Collaboration Fund.

  • COVID-19 Emergency (2020)

The COVID-19 pandemic is a major threat to the survival of Brazil’s indigenous communities. PPP collaborated with the Kuikuro to provide food and vital medical support to their community in a safe, sustainable and culturally sensitive way. The early, decisive action to support the community’s lockdown and avoid exposure to external contamination prevented the virus from entering the Kuikuro villages for four months and made it possible for the community to have an appropriate health structure to treat confirmed cases within their own villages.

Collective fundraising efforts with partners from Complicite and Amazon Hopes Collective, raised awareness about the pandemic in the Xingu and significantly extended this provision, providing two additional health workers, seven hospital beds, oxygen cylinders and essential items to support the community. This included: over a tonne of food, 8,300 pieces of personal protective equipment (including gloves, masks, and thermometers), 5,000 medicine units, fishing equipment and fuel. A car allowed the health professionals to provide emergency aid to the six villages and other health posts in the Upper Xingu.

Of the 921 indigenous people that have died due to COVID-19 in Brazil by 15 January (APIB, 2021), none is from the Kuikuro. The initiative has recently been expanded to five other villages in the Xingu which have subsequently not registered any COVID-19 deaths.

  • OCA RED: Living Beyond the End of the World, La Biennale di Venezia (2021)

As forests burn, rivers dry up and the climate shifts, OCA RED enables visitors at the Biennale to connect their own past, present and future to the everyday life of indigenous villagers from the Brazilian Amazon. OCA RED is created by Brazilian designer Gringo Cardia with filmmaker Takumã Kuikuro, revealing the constant and evolving transition his people maintain between their ancestral past and the future for which they are preparing. As they engage and exchange with what most threatens to destroy them, the Kuikuro invite us to imagine how we might live together beyond the end of the world we have known so far.

  • Reimagining Museums for Climate Action, COP26 (2021)

Natural Future Museums is a new video installation by Thiago Jesus and Takumã Kuikuro created for the Reimagining Museum for Climate Action exhibition, at Glasgow Science Centre. The show is will become part of the official “green zone” for COP26, the United Nations’ Climate Change Conference. The installation is a call for museums and cultural institutions to radically rethink their engagement with indigenous communities in the Amazon as a critical part of the fight to protect our future from the climate crisis.